Dustin Harris
Dustin Harris

Dustin Harris

Supervising Sound Editor and Dialogue Editor

Where do you work?

Sound Dogs Toronto

For how long have you been using SoundFlow?

About 5 years

Can you share some projects that you've used SoundFlow on?

Everything I've worked on since 2019, including

  • Silo (AppleTV+)
  • Fargo (MGM Television)
  • The Handmaid's Tale (Hulu)
  • Locke & Key (Netflix)
  • The Expanse (Amazon Prime)

Can you describe how SoundFlow has improved the way you work?

For me, it literally is what the SoundFlow splash page says: “Create More, Click Less”… finding all the ways I’ve been losing little amounts of time, and crucially, my train of thought by having to do things like open specific plug-in buried in menus, find my settings, hitting render, opening, closing… by streamlining a lot of the repetitive tasks I save time and focus.

Can you describe how much time you save with SoundFlow?

I honestly get through 30-50% more minutes a day with SoundFlow. It’s easy to underestimate how a few seconds here and there, every minute, can add up over the course of a work day, as well as how inefficient it can be to constantly switch back and forth between being creative, and “administering” your tools.

Tell us about a feature in SoundFlow that excites you.

While ‘the little things’ are the genuine bread and butter of SoundFlow and efficiency, the power of the platform has yet to be shown to its full potential. We’ve seen glimpses of what it can do with apps like Andrew Scheps’ Bounce Factory, and I think it is just a matter of time until more really intelligent apps are realized.

Why would you recommend SoundFlow to others?

If you want to get more done in less time and feel less frazzled at the end of the day, SoundFlow is the key ingredient. I’m not sure I could go back to editing without it, and I certainly don’t want to.

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An interview with SoundRadix

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